Output is H.264 + AAC, not ProRes
The converter produces a standard MOV with H.264 video and AAC audio. For ProRes intermediates you still want a desktop tool such as Compressor or FFmpeg.
Wrap MP4 video into the MOV container Apple-focused workflows tend to expect.
Drop video files here or click to browse
Files queue into the current batch until you convert · MP4, MOV, MKV, WebM, M4V
This is the niche conversion. For most modern workflows MP4 is already the right answer; the exception is Apple-focused production. Some Final Cut Pro projects, iMovie templates, and older QuickTime-driven pipelines treat .mov as the canonical extension and behave better when the file is wrapped that way.
MP4 and MOV are sibling MPEG-4 containers, but the converter still re-encodes into the MOV container with H.264 video and AAC audio. Pick the higher quality preset to keep the output visually close to the source.
Drop in a folder of MP4s, get back the same files in MOV form, ready to drag into a Final Cut event or QuickTime.
MP4 and MOV are both MPEG-4 Part 14 containers. QuickTime and Apple tools historically expect the .mov extension and certain MOV-only metadata atoms, which is why they sometimes reject perfectly valid MP4s.
Final Cut event imports, certain iMovie templates, QuickTime-only inspection tools, and ProRes intermediates from Apple hardware. For everything else MP4 is the better default.
The converter re-encodes the video into the MOV container, so file size and visible quality depend on the chosen preset. Picking the higher quality preset keeps the output close to the source MP4.
The converter produces a standard MOV with H.264 video and AAC audio. For ProRes intermediates you still want a desktop tool such as Compressor or FFmpeg.
Custom MP4 metadata, multiple audio tracks, and advanced codec features in the source are not all carried over. The MOV output keeps the primary video and audio track.
Convert a folder of MP4 files to MOV in your browser without uploading anything.
Drag and drop one or many MP4 files into the queue, or click to pick them.
Output is preset to MOV. Pick the higher quality preset to stay close to the source, or step down to balanced or smaller if you also want to compress.
Click Convert files. Each file is processed locally in your browser.
Download converted MOV files individually, or grab the whole batch as a ZIP.
No. The conversion runs in your browser; nothing is sent to a server.
In most cases, yes. The output is a standard MOV with H.264 video and AAC audio. Final Cut, iMovie, and QuickTime accept that combination directly.
It depends on the quality preset. The converter re-encodes into MOV, so picking the higher quality preset keeps the output close to the source while a smaller preset trades visible quality for size.
No. The output is H.264 inside MOV. For ProRes intermediates you still want a desktop tool like Compressor or FFmpeg.
Conversion uses the WebCodecs API. Fully supported: desktop Chrome 94+, Edge 94+, Opera 80+, Firefox 130+, and Safari 26+. Safari 16.4 to 25 work for most files but some may fail because their WebCodecs implementation is partial. Browsers without WebCodecs (Chrome/Edge <94, Firefox <130, Safari ≤16.3, Internet Explorer) cannot run the converter at all. Mobile browser support is improving but inconsistent, so a desktop or laptop is recommended for batch work.
Drop in MOV files, including HEVC iPhone clips, and get MP4s back in one pass.
Turn MOV clips into VP9 WebM files for self-hosted web video.
Drop in a folder of mixed-format videos. Pick one destination format. Download the whole batch.
Conversion runs in your browser. Files stay on your device.